In this first album released by naïve, Anja Linder naturally invites us to a Schubertiade, surrounded by cellist Julie Sévilla-Fraysse and violinist Laurent Korcia. The three friends come together for the sublime slow movement of the second Trio, well known for its use in cinema (notably Barry Lyndon by Stanley Kubrick) and adapted by Anja Linder for harp, violin, and cello, a configuration that the musician particularly cherishes and which reminds us that the harp was once a fundamental instrument in chamber music practice: until the dawn of the 19th century, its repertoire could be confused with that of the piano and harpsichord.

Before this absolute summit of Schubert's catalog, two Lieder, where the harp exactly takes over the piano part while the violin spontaneously substitutes for the voice, surround the Sonata for arpeggione arranged for cello and harp. A particularly lyrical score, which the Viennese composer wrote in November 1824 for a now disappeared instrument, a kind of guitar-cello, or "gamba" guitar, and which all cellists have adopted by transposing it, the Sonata for arpeggione finds here, in the new guise imagined by the harpist, the tone of intimate, dreamy confidence of the original configuration. A very touching musical moment, where the elegance of Anja Linder's harp playing offers an ideal counterpoint to the airy, almost tiptoeing sound of Julie Sévilla-Fraysse's cello.